During Anne Rapp’s Hollywood career, she worked with the biggest names in movies. Now, at 72, she’s ready to tell her own stories about her Panhandle upbringing.
‘Mad Men.’ ‘Homeland.’ ‘Love & Death.’ The current golden age of television wouldn’t be the same without the work of Dallas native Lesli Linka Glatter.
He’s made critics gush with his art-house dramas and howl with his stoner comedies. But for the director of ‘Halloween Ends,’ it’s all about experimentation.
In this 2011 documentary, filmmaker Annie Silverstein chronicles the scene at Sefcik Dance Hall in Seaton, one of the last small-town Texas dance halls remaining.
Mac Coleman always knew he wanted to be a professional bronc rider. This documentary film by TJ Martinez profiles the Texan as he pursues his dream—after losing his eyesight.
I went to the University of Texas at Austin to play baseball. In high school I wanted to be a pro baseball player, and I never really thought about movies outside of taking dates to them and stuff like that. And when I tried to walk on to the UT
When she works in Texas, Berlin-born Nastassja Kinski brings a link to her native Europe. When she made Paris, Texas in 1984, her comrade was German director Wim Wenders; this time, it was Italian director Antonio Tibaldi. In August and September Kinski was in Austin shooting Little Boy Blue, the
Cesar Alejandro’s low-budget action movies aren’t exactly number one with a bullet, but the El Paso director is sure he’ll be hot in Hollywood—some day.
As befits the creators of a movie called Bottle Rocket, the careers of Wes Anderson and Owen Wilson have taken off with a bang. The twentysomething filmmakers, who met at the University of Texas, first produced a thirteen-minute black and white short of the same name about three bumbling wannabe
Locked away in NASA’s storage vaults was some of the most glorious footage ever filmed. I thought turning it into a movie would be a snap. Ten years later I’ve revised my opinion.
