The 72-year-old Oscar winner and East Texas native takes her small-town ethos to the small screen—and across galaxies.
After a four-year hiatus from comedy, the Rio Grande Valley native has a new Netflix special and a new approach to her career.
Seventeen families are suing the Golden Gate Funeral Home for allegedly desecrating their loved ones' bodies.
The Austin-set firefighter show devotes four episodes to the 2021 freeze while ignoring all of the real-life drama.
Magnolia Network, helmed by Waco’s First Family, has already weathered its first scandal. Viewers will keep tuning in.
‘Blood and Money’ has it all: new oil money, an equestrian heiress, a handsome plastic surgeon, River Oaks mansions, and gossip-worthy trials.
The Texas City native and star of the hit HBO comedy series talks Judy Gemstone, ham slices, and why there’s nothing worse than someone trying to be funny.
The gender-swapped sequel will be an easy watch for sitcom fans, but the callbacks and in-jokes tip into the saccharine.
Comedies must choose whether to punch up or punch down; watching ‘Search Party’ has always made me feel like I’m punching myself.
Can the Fab Five help a society ravaged by grief recover? The answer is yas.
The Yellowstone prequel series ‘1883’ was a smash hit—and just the beginning for Taylor Sheridan’s western empire. Only viewers seem to care.
From newcomers to reliable veterans to a pop star remaking her TV career, these were the actors worth watching this year.
The premier entertainment brands are entering a three-year deal with the National Magazine of Texas that gives them a “first look” at articles and podcasts they’re interested in adapting as TV series.
Twenty-five years later, Mike Judge’s ‘King of the Hill’ still captures something essential about Texans and Texas life. But are there any Hank Hills left?
The streaming phenomenon, produced just outside of Dallas, is winning converts with its ‘Friday Night Lights’ spin on faith.
The new show has a strong premise that’s derailed by cheap laughs. But cartoonist Gilbert Shelton’s counterculture strips are still great.
Dallas native William Jackson Harper is a romantic lead who's prone to repeating mistakes and slow to mature.
Indulge in over-the-top cocktails like the Skeleton Cruise, which comes in a boat with dry ice and activates bar-wide light and sound effects.
The Houston-raised actor shines as a pompous space tyrant in the otherwise dreary Isaac Asimov adaptation.
The Monahans-bred actor elevates this loopy, Lost-like sci-fi drama about a mom fighting her way out of a mysterious primeval world.
I helped break the story on the convicted surgeon, but Peacock’s dramatized series made me reconsider how I wrote about the case.
“When stories about trans people are created by trans people, it opens up a world of possibilities,” says the San Antonio–raised actress.
Stacey Swann's ‘Olympus, Texas’ is the read of the summer. Plus: a so-bad-it's-good reality show and Megan Thee Stallion on ‘Legendary.’
Plus, a really good lemon cookie and an upbeat musical on Netflix.
The Burleson native will inherit Ellen DeGeneres’s time slot, and the future of daytime talk.
The new Netflix documentary series reclaims African American culinary and cultural contributions to the U.S. with the utmost care.
Part two of Netflix's Selena series delivers a more confident version of the Tejano icon than part one, but fails to portray the late singer as the nuanced person she was.
The limited series, from Lionsgate Television, will star Elizabeth Olsen and be written by David E. Kelley.
The soapy teen drama takes place in a fictional Texas town that—aside from an extravagant kidnapping plot—looks like home.
After decades of playing goofy sidekicks, the El Paso–born, Plano-bred actor finally has a leading role.
Plus: Taylor Kitsch gets back in the TV game, Travis Scott manages to get people excited about magazines, and Megan Thee Stallion does her best ‘Mean Girls.’
Plus, Pedro Pascal and Renée Zellweger land plum TV roles, Sandra Bullock pairs up with Brad Pitt, and GameStop movies continue to be a bullish investment.
Plus, Demi Lovato returns to TV, Gary Clark Jr. joins Baz Luhrmann’s Elvis movie, and Matthew McConaughey will flatten himself for some Doritos.
Plus, Luke Wilson coaches Fort Worth’s most famous orphans, another JFK assassination drama heads to TV, and McConaughey goes to the dogs.
Plus: the cult classic ‘Veronica Mars,’ Selena Gomez's new single, and a plant-based burger joint.
The HBO Max docuseries, which centers on a wealthy Vietnamese American family in Houston, balances new-money sensibility with the unglamorous truths of being stuck between two cultures.
The new docuseries follows tiny Strawn High School's six-player football team in its quest for a three-peat.
Inspired by a 2017 Texas Monthly feature, the new documentary for ESPN’s ‘30 for 30’ series is as spiritual as it is political.
From ‘Urban Cowboy’ to ‘Northern Exposure’ to ‘No Country for Old Men,’ Texas’s finest character actor isn’t hanging up his spurs just yet.
The initial installment of the two-part television show details the first 20 years of Selena’s life—yet it feels like we’ve hardly gotten to know the person the series is about.
Plus, Selena Gomez plays a mountaineer, Jennifer Love Hewitt joins the pantheon of talking dogs, and William Jackson Harper takes the lead in a rom-com.
Plus, how ‘Dallas’ brought down the Soviet Union, Netflix’s ‘Selena’ gets a real trailer, and Luke Wilson plays a fire-belching robot duck.
Plus, some very good dog discourse, the newly reopened Rothko chapel, and ‘All Roads to Pearla.’
Plus: Jamie Foxx recharges his Spider-Man villain, Megan Thee Stallion heads to ‘SNL,’ and Woody Harrelson saves the world with dirt.
It looks like they had fun making it!
Plus, Liv Tyler won’t return to Fake Austin, Selena Gomez expands her moguldom, and Audie Murphy gets his own TV series.
After years of playing ex-cons and bodyguards, the prolific actor became an iconic leading man in Robert Rodriguez’s Machete series.
Plus, Austin’s Andrew Dismukes joins ‘SNL,’ both Padaleckis help reboot ‘Walker, Texas Ranger,’ and Matthew McConaughey gets exceptionally lit.
The kids’ television program, helmed by a crop of Texan theatrical talents, landed on PBS 25 years ago.