Michael Hall graduated from the University of Texas at Austin in 1979. Before joining Texas Monthly in 1997, he was an associate editor of Third Coast magazine and the managing editor of the Austin Chronicle. Hall won two 2001 Katy Awards: one for Best Reporter Writing Portfolio and one for Personality Profile/Interview for his July 2001 story “Lance Armstrong Has Something to Get Off His Chest.” He won a Texas Gavel Award in 2003 for his story about capital punishment, “Death Isn’t Fair,” which was also nominated for a National Magazine Award. Hall’s stories have appeared in the Best American Magazine Writing, the Best American Sportswriting, the Best American Nonrequired Reading, and Da Capo Best Music Writing. He has also written for Trouser Press, the New York Times, Men’s Journal, and the Austin American-Statesman.
I know her as my mother, whose womb I emerged from more than fifty years ago. They—the million or so quilting fanatics, mostly women, who spend hours a day with needle, thread, fabric, and sewing machine—know her as a celebrity. She can’t believe it either.
All over Dallas are working-class dreamers with more will than wallet, would-be entrepreneurs who’d start their own businesses if only they had savings, good credit, home equity. That’s what brings them to the PLAN Fund.
These six entrepreneurs are members of a unique Dallas program that is bringing the promise of microcredit to the Untied States: one small business at a time.
Of the many things the first black district attorney of Dallas County is doing, none is more important than rethinking the concept of guilt and innocence.
Twenty-five years after his death, Sam Hopkins is still one of the most influential bluesmen in history—that much we know. But we don’t know nearly enough about who he was.
And for these 8 one-hit wonders, including Balde Silva, of Toby Beau, that’s a good thing: Thanks to wildly successful singles they released many years ago, what might have otherwise been forgettable careers are anything but.
On November 5, 181,500 people crowded into a former cow pasture north of Fort Worth to watch 43 race cars drive really, really fast for five hundred miles. That day, the Texas Motor Speedway would be, measured by population, one of the largest cities in the state. Welcome to NASCAR, Texas.
Most people from Dallas who make it big in the music business get out of town as soon as they can. “That’s what celebrities do,” Erykah Badu says. “I never wanted to be a celebrity.”
A tip of the hat to risk-taking, barrier-breaking, establishment-tweaking Texans.
They say he ran over Eddie Peltier with his El Camino on a North Dakota Indian reservation in 1983. He says he didn’t do it, and the evidence is overwhelmingly on his side—yet the Plainview native has languished in federal prison for twenty years. It’s long past time for justice to be done.
For twenty years, the Southwestern Writers Collection, on the campus of Texas State University, in San Marcos, has gathered up manuscripts, personal papers, photos, and other mementos from various icons and at least one outlaw. Want to have a look-see?
Spoiler alert: The mythic Marfa lights may not be real. But there’s no way to know for sure, and that’s why they’re cool.