
April 1979 Issue
Features


The Hot Pink Empire of Mary Kay Ash
She learned the truth about selling cosmetics. Her customers didn’t want to buy products, they wanted to buy dreams.

Fiesta!
Whether you drink champagne or beer, wear diamonds or rhinestones, one thing about Fiesta San Antonio is the same for everyone: it’s fun.
Columns
Lonesome Cowboys
When You Comin’ Back, Red Ryder? was already a bad play before it became a terrible movie.
The Dark at the End of the Tunnel
Houston’s Museum of Fine Art resurrects the genius of Mark Rothko. James Surls tries to answer the tricky question: what is Texas art? Amarillo hosts five pioneers of American photography.
Pitched on Bach
J. S. Bach thrives in San Antonio and Fort Worth. Austin’s Dickran Atamian proves he’s a better pianist than entrepreneur.
If You Knew Sushi
Good-bye, tacos. Hello, sukiyaki. A few restaurants are showing Texans the art of Japanese cooking.
The Firing Line
The first shot in Clements’ campaign to cut 25,000 state employees fells 68 casualties.
Taking It to the Limits
Austin City Limits makes pop music on television worth watching-and listening to. Also, musings on the superiority of Metroplex radio.
Artichoke Season
The Alley turns Artichoke into candy. Whorehouse comes to Texas, where it belongs. The audience talks back to Women and Men.
Reporter
Texas Monthly Reporter
Striking the right chord with the Fort Worth Symphony and the wrong one with Mexico; grounding Wayland Baptist’s Flying Queens.