This story is from Texas Monthly’s archives. We have left it as it was originally published, without updating, to maintain a clear historical record. Read more here about our archive digitization project. From 1983 to 1986, Texas Monthly’s regular feature, “Western Art,” highlighted artists’ takes on the
Tired and hungry, but not broke? A bevy of gourmet-to-go shops in Texas’ major cities provide a classy alternative to the TV dinner.
It began in 1952 as a nostalgic recreation of the old cattle drive. Now it’s a grand annual party stretching across Texas.
Fred Cuny, sixth-generation Texan and uncompromising disaster-relief consultant, takes his expertise to the ends of the earth.
In darkest South Texas roam two of the world’s most endangered species—the black rhino and the Great White Hunter.
In The Purple Rose of Cairo, Woody Allen takes a cold look at movie-fed dreams; the late, great Sam Peckinpah gave us an impassioned view of a violent world.
The failed ambitions of the father become the triumphs of the son, or so most fathers would hope.
The impressive canvases that make up “Fresh Paint” at the Museum of Fine Arts prove that Houston has finally arrived as a significant art-making center.
Many of the best modern homes in the fifties featured natural materials, interior courtyards, and built-in furniture—and architect Harwell Harris was the reason.
A producing career, a hit video, a record company, successful sound tracks: Austin’s Patrick Keel is having it all.
Coors and Hispanics make peace; Mexico’s flash in the pan; Gramm’s GOP crusade; Mayor Kathy emerges unscathed.
Beating around the Bush; remembering an old friend; rethinking high school days.
Can gas become oil? Can a Lubbock institution become an Austin one? Can preservation become exploitation? Can Houston become Austinized? Can Amarillo escape Pottergate?
