June 1992


Henry, Hillary, Colin, and Mort

May 31, 1992 By Texas Monthly

THE PRESIDENT CAN’T RUN THE COUNTRY BY HIMSELF. the people he appoints to key positions can make or break his administration. Here is a possible lineup of Cabinet officials and major appointments. They are able, diverse, and largely nonpolitical. Most of them are people that Perot is known to respect.

Beyond Luxury

May 31, 1992 By Skip Hollandsworth

God save the queen! A Dallas hotel company has won the right to manage London’s most exclusive property.

Ross and Me

May 31, 1992 By Steve McElroy

If Ross Perot is president, he’ll be judged by how well he plays hardball with Congress. Here’s how he played hardball with me.

The Man Who Knows Everything

Jan 20, 2013 By Mimi Swartz

Clyde Wilson is more than a private investigator. He’s the historian of Houston’s dark side—and that makes him the most dangerous man in town.


Acorn Squash Soup with Roquefort Toast

May 31, 1992 By Texas Monthly

Soup 8 small acorn squashes (about 3 1/2 inches in diameter, or 3/4 pound each), with stems 2 large acorn squashes (1 1/2 pound), or enough to equal 3 pounds of meat 2 medium onions, sliced 3 cups chicken stock 1 cup whipping cream 1/2…


State Secrets
Westward H2O

May 31, 1992 By Paul Burka

THE SHOCK WAVES ARE BEGINNING to be felt from the Texas Water Commission’s decision that the Edwards Aquifer is an underground river—meaning that surface owners can’t use its water without a permit. Another state agency, the Water Development Board, was quick to dust off the old idea of transferring water…

State of the Art
Fay Ray at Siesta Time

May 31, 1992 By Texas Monthly

William Wegman’s subtle portraits of his weimaraners have elevated the pet photo to high art. But few connoisseurs have known the range of his creativity—until now. The &first retro- spective of the artist’s output, on view at Houston’s Contemporary Arts Museum, offers more of his trademark pups but also plenty…

State Fare
State Fare

May 31, 1992 By Patricia Sharpe

Some restaurants are so intertwined with the identity of a city that the place is unthinkable without them. London minus the Sherlock Holmes pub? Inconceivable. Paris sans La Tour d’Argent? C’est impossible. Houston without the Rivoli? No way. For seventeen years, the Rivoli (at 5636 Richmond), with its latticed garden…

Roar of the Crowd
Character Study

May 31, 1992 By Texas Monthly

“THE KILLER NEXT DOOR” [TM, April 1992]? I thought someone had sent me a copy of True Detective instead of Texas Monthly. The title and cover illustration are definitely out of character for the magazine we subscribed to the last time we lived in Texas. Once the reader…


Behind the Lines
Oil and Water

May 31, 1992 By Gregory Curtis

Ten years ago I guess you could call yourself a Texan if you hadn’t been to the Offshore Technology Conference in Houston, but an easy conversance with the OTC and its ways certainly bolstered your credentials. Back then the OTC was, like riding a horse or drinking a beer in…

Fun and Games
Smart Money

May 31, 1992 By Turk Pipkin

When everything’s at sixes and sevens, give Turk’s tips a whirl.

Mr. Malcontent

Jan 20, 2013 By Robert Draper

More Lenny Bruce than Jerry Seinfeld, Hicks wins fans by showing them his dark side.


Picture Perfect

May 31, 1992 By Texas Monthly

As the sole studio photographer in Granger from 1924 to 1955, John Trlica recorded on film most of the important occasions—public and private—in the Central Texas farming community. Because Trlica kept meticulous records and saved every negative, his shop became the repository for an intensely documented history of a small…

House of the Century

May 31, 1992 By Texas Monthly

“Still ahead of its time, even after twenty years,” says architect Doug Michels about Ant Farm’s futuristic House of the Century, designed and built in 1972. The colony of anti-establishment architects (of whom Michels was one) christened themselves Ant Farm in honor of the toy ant colonies popular in the…

Whittling Away

May 31, 1992 By Helen Thompson

Students’ attention wanders when commercials come on the tube—just like at home.